Meet the artists – October 2018 residency

Welcoming the new residents who will join us between the 14th – 28th October for the Bee Time Residency in Santa Lucia. This residency has been funded by the North West Consortium Doctoral Training Partnership and has selected four Ph.D. students who are joining us to further their practice-based research within their doctoral work. Here is a brief introduction of their research lines,

Fatema Abdoolcarim
Univ. Of Manchester, Centre for New Writing / Ph.D in Creative Writing.

‘Over the past seven years, since my first encounter with honeybees, my visual work in video and photography has explored the image, sensation, and sound of honeybees as a metaphor to examine ideas of origin, community, agency, and the passing of stories and tradition through the generations of women. I have focused on the hive and the sensations it elicits as a way to examine tensions between sweetness and sting, frenzy and meditation, nature and culture, collective and individual, and fear and surrender.

During the residency, my focus will be writing about the honeybee hive as metaphor for both a collective identity and as a visual metaphor for the ‘divine’, especially as it aesthetically reflects the use of the gold-leaf aureoles typically rendered in Islamic miniature painting to depict a divine or holy figure. In my critical essay, I bring in related contemporary artworks into my analysis of the miniature painting to further explore themes of desire, female agency, tradition and origin.’


I Feel As If She May Be Vanishing from Fatema Abdoolcarim on Vimeo.

 

Rosamund Portus
Univ. of York, Dept. of Theatre, Film and Television

Rosamund’s thesis is titled: Extinction Studies: Imagining a World without Bees and explores the variety of ways that people are using creative practices to narrate, communicate about, engage with, respond to and resist the decline of bees. She hopes to further understand the role of art and creativity in responding to issues of extinction and environmental instability. During the residency, she hopes to further her exploration on ‘How is the decline of bee populations prompting creative practice and to what extent are these creative practices shaping bees’ futures?’

As well as doing interviews and looking at case studies, she has been increasingly drawn towards the possibility of using her own artistic practice as a research tool and will be engaging in creative non-fiction writing during the residency.

 

Sabina Salis
Newcastle Univ. School of Arts and Culture, Ph.D. in Fine Arts

Sabina’s thesis, Aesthetics of Sustainability: What impact can a critical multi-media arts practice have on our visions for a sustainable future? Takes her on a wide and diverse exploration in a variety of media involving socially engaged practices, both in everyday life and the gallery. She is interested in seeing how these two translate into one another.

My research seeks to contribute to an emerging field examining what the aesthetics of sustainability might look like and how this can impact upon collective visions for a sustainable future. I explore this through experiential, embodied encounters with landscapes, and sustainable agriculture locally and globally. I engage with forest gardens, permaculture, nature and heritage agriculture, rainforest, multiple relevant knowledges and methodologies.’

Detail from Basic Premises for the 'Source of Resilience' - Sabina Salis 2015
Detail from Basic Premises for the ‘Source of Resilience’ – Sabina Salis 2015

 

Tyler Lewis
Univ. of Aberdeen, Dept. of Sonic Art.

Tyler’s Thesis Courteous Anthrophony: Finding Our Niche in Nature. ‘My work as a PhD researcher and sound artist is rooted in the exploration of various natural soundscapes. More specifically, I’m interested in the complex relationship between human-generated sounds (anthrophony) and the natural sounds produced by wildlife and the earth itself (biophony and geophony, respectively). Through electroacoustic composition and sound installation, my working materials are audio field recordings made in sonic environments usually found in remote, rural, or exotic places. For example, in the past few years I’ve recorded soundscapes of western India, Death Valley National Park in the United States, uninhabited islands dotting the Scottish coasts, and currently I’m in Murcia taking in the unique sounds of the arid landscape showing signs of desertification.’

Tyler’s intention during the residency is to explore the rich sound world of honey bees; the sound of a wild colony or natural environments in the vicinity of the Bee Time residency in contrast with sounds made in more domestic environments to create a sonic ‘image’ of where we are based. He is interested in recording how humans relate to animals, processes relating to beekeeping and interviews with beekeepers who they can tell him if they can ‘read’ the state of the bees according to their sounds.

Bee Time Artist Residency #5, Autumn 2018 Santa Lucía
Bee Time Artist Residency #5, Autumn 2018 Santa Lucía

Karmit Evenzur

Karmit‘s work focuses on developing sensitivity to living systems in nature – cultivating an awareness of the wild, the unseen, and the conscious aspects of the Earth. She facilitates courses at Earth Speaks and at the International School of Storytelling (UK). Her work history spans diverse experiences, interests and competences from the healing arts, and the arts & crafts world. Her unique skill-set provides a deep perspective for transformational work, and in working with soul searching questions. Her studies encompass human ecology and earth healing modalities as well as energy healing systems and shamanic practices. For the past 8 years, she has been practicing natural beekeeping, keen to observe the integrity of their nature. In 2015 she planted the seed with natural beekeeping workshops in the area of Vejer de la Frontera which led to the creation of the natural beekeeping learning community, ‘Apijanda’, and the development of Bee Time Artist residencies.

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